Isabella Rossellini _Green Porno

GREEN PORNO
Following up the critical and popular success of her 2008 short film series about the sex lives of insects, Isabella Rossellini migrates from the land to the sea in Green Porno 2. Like the first season of Green Porno, this batch of very short films about the reproductive habits of marine animals is scientifically accurate yet extremely entertaining. Produced by Isabella Rossellini, Jody Shapiro and Rick Gilbert.

Observatoire des nouveaux médias

Blog de commentaires par le cours OdNMblog de l’Université Paris 8

L’observatoire des nouveaux médias à l’Ensad
L’”Observatoire des nouveaux médias” est un cycle de conférences organisé par l’École nationale supérieure des arts décoratifs (Cycle supérieur de recherche création et innovation) et l’Université Paris 8 (Master “Art contemporain et nouveaux médias” et équipe de recherche “Esthétique des nouveaux médias”).

Kate Francis Design

Landor: Thinking: Articles: Brands on a margin call

AIGA Center for Cross-Cultural Design

Manuel Lima

cartaz_manuel-lima

William Kentridge

WILLIAM KENTRIDGE ON HIS PROCESS

Artist William Kentridge speaks about his process of repeatedly erasing and reworking charcoal drawings to create his well-known stop-motion animated films, and discusses the mental space that this method generates.

Total running time: 2 min. 38 sec.

Featured Artist: William Kentridge
SFMOMA Release Date: March 2009

WILLIAM KENTRIDGE ON HIS FILM TIDE TABLE

Artist William Kentridge discusses Tide Table (2003), a short film that is part of 9 Drawings for Projection, a series that reveals a narrative of South Africa under apartheid and in the years since.

Total running time: 2 min. 43 sec.

Featured Artist: William Kentridge
SFMOMA Release Date: March 2009

William Kentridge Tide Table, 2003

ATELIER DE ARTES DIGITAIS_FCSH_UNL 08/09

_LEVE E DESCONTRAÍDO!

Patrícia Gouveia

Patrícia Gouveia

“Terminou em Fevereiro mais um seminário de mestrado Atelier de Artes Digitais na Faculdade de Ciências Sociais e Humanas da Universidade Nova de Lisboa. Sendo a terceira vez que lecciono este atelier penso que este ano os dezanove estudantes avaliados me conseguiram surpreender pelos resultados globais da turma. (…)” Patrícia Gouveia

fonte:
http://mouseland.blogs.ca.ua.pt/

Information Interaction Design:

A Unified Field Theory of Design
by Nathan Shedroff, Chief Creative Officer, vivid studios

One of the most important skills for almost everyone to have in the next decade and
beyond will be those that allow us to create valuable, compelling, and empowering
information and experiences for others. To do this, we must learn existing ways of
organizing and presenting data and information and develop new ones. Whether our
communication tools are traditional print products, electronic products, broadcast
programming, interactive experiences, or live performances makes little difference.
Nor does it matter if we are employing physical or electronic devices or our own
bodies and voices. The process of creating is roughly the same in any medium. The
processes involved in solving problems, responding to audiences, and communicating
to others are similar enough to consider them identical for the purposes of this
paper. These issues apply across all types of media and experiences, because they
directly address the phenomena of information overload, information anxiety, media
literacy, media immersion, and technological overload—all which need better solutions.
The intersection of these issues can be addressed by the process of Information
Interaction Design. In other circles, it is called simply Information Design, Information
Architecture, or Interaction Design, Instructional Design, or just plain Common
Sense.
Many people create or engineer interactions, presentations, and experiences for
others. Almost all interactions— whether part of a book, a directory, a catalog, a
newspaper, or a television program—can be created or addressed by one process.
This process can be used to produce every CD-ROM, kiosk, presentation, game, and
online service. It can also be used for every dance, music, comedy, or theater
performance. While the traditions and technologies may change with every discipline,
the process does not. [Ler mais...]

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http://www.nathan.com/thoughts/unified/
© 1994 Nathan Shedroff

Bernard Lodge